syn·site

sin.sīt
noun, verb

in Johanna Flato's terms: an ever-evolving conceptual constellation, an entangled situating crystallized from a myriad of fragmented realities. Simultaneity and singularities dance in a swirling waltz of intertwined moments and spaces, each adding to the cacophony and harmony of this complex site. A syn-site is a living, breathing tapestry of the world, constantly rewriting its own narrative, always open to edits, always challenging what we have come to accept as static or fixed. It is a manifestation of a world that is anything but singular or isolated — it is a world that is complex, interwoven, and infinitely entangled.

in Johanna Flato's terms: an ever-evolving conceptual constellation, an entangled situating crystallized from a myriad of fragmented realities. Simultaneity and singularities dance in a swirling waltz of intertwined moments and spaces, each adding to the cacophony and harmony of this complex site. A syn-site is a living, breathing tapestry of the world, constantly rewriting its own narrative, always open to edits, always challenging what we have come to accept as static or fixed. It is a manifestation of a world that is anything but singular or isolated — it is a world that is complex, interwoven, and infinitely entangled.

SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)

color_pink color_pink color_pink color_pink color_cyan color_cyan color_cyan color_cyan

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

color_green color_green color_green color_green color_grey color_grey color_grey color_grey