syn·site

sin.sīt
noun, verb

in dictionary terms: (noun): an entangled, non-singular locus of experience, exchange, environment, observation, objects, or relationships, crystallized in a networked space, actual or virtual, marked by simultaneity, plurality, and potentiality. (verb): the act of synchronizing or integrating multiple disparate locations or concepts into a unified, complex space. This process involves the recognition and active engagement with the overlapping, entangled realities of these sites, effectively creating a new, dynamic, and non-singular site. The usage of "site" as a verb in this context is an extension of its standard usage to refer to positioning or placing something, but here it refers to positioning or placing within a conceptual, multi-layered space.

in dictionary terms: (noun): an entangled, non-singular locus of experience, exchange, environment, observation, objects, or relationships, crystallized in a networked space, actual or virtual, marked by simultaneity, plurality, and potentiality. (verb): the act of synchronizing or integrating multiple disparate locations or concepts into a unified, complex space. This process involves the recognition and active engagement with the overlapping, entangled realities of these sites, effectively creating a new, dynamic, and non-singular site. The usage of "site" as a verb in this context is an extension of its standard usage to refer to positioning or placing something, but here it refers to positioning or placing within a conceptual, multi-layered space.

SYN (along with, at the same time | from Greek SYN, with | ~SYNTHETIC) + SITE (N: point of event, occupied space, internet address; V: to place in position | from Latin SITUS, location, idleness, forgetfulness | ~WEBSITE ¬cite ¬sight), cf. SITE/NON-SITE (from Robert Smithson, A PROVISIONAL THEORY OF NONSITES, 1968)

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

"For reference, Corbusier’s intellectual colors remain: a light pink (Pantone 468U); a mid pink (Pantone 728U); a dark pink (Pantone 471U); a light grey (Pantone 429U); a dark grey (Pantone 1817U); a mid brown (Pantone 432U); a dark brown (Pantone black 5U); a light blue (Pantone 549U); a mid green (Pantone 577U); a 100% black; and, of course, a pure white."

— via http://www.servinglibrary.org/journal/11/color-swatches

color_cyan color_cyan color_cyan color_cyan color_pink color_pink color_pink color_pink color_grey color_grey color_grey color_grey color_green color_green color_green color_green